On The Blackboard recounts classroom and schoolyard memories that smell of erasers, fake leather soccer balls, chalk dust and a declaration of love to a teacher.

A dying woman is fighting to choose a new family to keep her four children together, after she's gone.

House for sale...

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The life of Rosa Bonheur, a trailblazing feminist and artist who rose to fame in 19th century France, will be played by Melanie Laurent in a sprawling period movie directed by Fabienne Berthaud. 　　The movie will shoot on location in Bonheur’s well-preserved atelier at her Château de By in Thomery, where she worked and lived for over 40 years, alongside her partner Nathalie Micas and later with Anna Klumpke, an American painter.

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The life of Rosa Bonheur, a trailblazing feminist and artist who rose to fame in 19th century France, will be played by Melanie Laurent in a sprawling period movie directed by Fabienne Berthaud. 　　The movie will shoot on location in Bonheur’s well-preserved atelier at her Château de By in Thomery, where she worked and lived for over 40 years, alongside her partner Nathalie Micas and later with Anna Klumpke, an American painter.

A love journey along a side path. From her cabin to the ‘garden of little brambles’, the director engages in dialogue with the beings she encounters. Women, animals, flowers, trees, and books joyfully coexist in this quest. 　　[FR] Un parcours amoureux sur un chemin de traverse. De sa cabane jusqu’au « jardin des roncettes », la réalisatrice dialogue avec les êtres qu’elle rencontre. Femmes, animaux, fleurs, arbres, livres cohabitent joyeusement dans cette quête.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

They lived intensely. They were beautiful. They were inseparable. They were five but now there's only four of them - A group of childhood friends drowned in the murky waters of grief, a brutal return to reality - Arthur refuses to grow up without his friend and tries to get away by pursuing a dream that was previously buried: writing a movie. But he can't prevent the demons of the past from re-emerging - Torn between love and friendship he gradually loses control, at the risk of dragging everyone into his downfall.